The Nice Guys - Film Review

Shane Black. Buddy Comedy. Ryan Gosling. If you’re not already sold, don’t even talk to me.

Mr. Black has been one of Hollywood’s most distinct voices ever since he broke into the industry with his infamous Lethal Weapon screenplay in the mid-eighties. His directorial debut, 2005’s Kiss Kiss Bang Bang, is one of the best action-comedies of the past 20 years and features spectacular turns from Robert Downey Jr. and Val Kilmer. Hell, I even love Iron Man 3, which earned the ire of fanboys worldwide by subverting expectations and tropes with a refreshingly manic take on the superhero genre.

The Nice Guys is essentially Black’s victory lap. It treads familiar territory for the filmmaker, and if you’re expecting something revolutionary, you’ll be walking away empty-handed. But take it for what it is - a spectacular caper overflowing with zippy dialogue, a healthy dose of action and the inspired pairing of Ryan Gosling and Russell Crowe - and you’ll be more than satisfied.

Gosling is Holland March, a private investigator doing his best to raise a daughter on his own. He gets caught up in a case that involves tracking down a girl named Amelia and encounters Jackson Healy (Crowe), a violent, soft-spoken enforcer who was hired by Amelia to get March off her back. When Amelia mysteriously disappears, the two strike up a shaky alliance to figure out just what the hell is going on and end up uncovering a fiendish plot far more complicated than they ever expected.

This is exactly the kind of storytelling Black excels at: two individuals with opposing personalities and methodologies forced to work together for the greater good. It’s a winning formula (one which Black pretty much pioneered) and the film’s charms are plentiful. The late-1970s setting is perfect. The script, co-written by Black and Anthony Bagarozzi, is fast-paced, breezy and full of memorable one-liners.

But while Black’s writing and direction play a key part in The Nice Guys’ success - this has some of the best-staged action sequences I've seen this year - the plotting plays second fiddle to its main characters' relationship, and it’s the chemistry between Ryan Gosling and Russell Crowe that really makes this one shine. These guys make for one of the great on-screen duos of the year, probably the past decade. Their line deliveries and mannerisms consistently had me doubled over in my seat from laughter. Any shortcomings regarding the familiarity of plot were easily forgiven in light of their performances.

The Nice Guys excels in nearly every way and is absolutely one of my favorite films of 2016 thus far. I sincerely hope it manages to find its audience in the midst of the summer blockbuster onslaught, so Black can keep making movies like it. If you’re a fan of his work, or just a fan of action-comedies in general, you’ll exit the theater with a huge smile on your face, hoping against hope we’ll get to see these characters again in the not-too-distant future.

FINAL RATING: 4/5

Captain America: Civil War - Film Review

Captain America: Civil War contains one of the single-best action sequences I’ve ever seen. I’m not just talking superhero movies; I’m talking all movies. You’ve seen snippets in the commercials - our two opposing heroes Captain America and Iron Man, backed by their faithful posses, stare each other down at a deserted airport before rushing at each other full speed. The superhero brawl that results is so much fun and so exciting, but also surprisingly hilarious in a way that enriches the entire set-piece.

And that’s what really makes the Marvel Studios repertoire so special. They understand that humor is the key to unlocking something more important: Humanity. Civil War, the third Captain America-centric entry of the Marvel Cinematic Universe (MCU), never forgets to honor the humanity of its characters even amidst the spectacular effects and action. And  although Civil War overflows with dozens of characters and subplots, it still manages to tell a coherent story and take its characters on a captivating, emotional journey. Not only is this the successful culmination of a number of character and story arcs that have been in play since the MCU began with 2008’s Iron Man, it expertly piques excitement for future entries in the series. For a film series this long-running to keep you pumped and riveted for more even after 13 entries is a mighty impressive feat.

After a covert Avengers mission goes awry, causing the deaths of innocent civilians, the United Nations issues an Accords, which will give them full control over when and where the Avengers are deployed. The team is split on the decision. On one side of the argument is Steve Rogers a.k.a. Captain America, who believes the Avengers shouldn’t have to wait to get their missions approved by a committee when innocent lives hang in the balance. And who’s to say the UN would be the best people to make the decisions in the first place when politics can become so easily corrupted? Rogers has witnessed this corruption first-hand and isn’t eager to surrender his rights over to an agenda he doesn’t agree with.

On the other side is Tony Stark, a.k.a. Iron Man. He feels personally responsible for the destruction caused by the Avengers’ actions over the years. The Summons, he feels, is a way to legitimize the team and hopefully gain back the general public’s trust.

In the midst of all this Summons nonsense, the Winter Soldier, a.k.a. Bucky Barnes, a.k.a. Cap’s WWII bestie, reappears at the center of a major terrorist attack. Rogers must make a decision to defend his longtime pal by operating outside the law, which will put him directly at odds with his Avenging brethren and Stark in particular.

Civil War puts our heroes in some tough moral predicaments and offers them no easy outs. Things get messy and it’s clear the rifts caused by the film’s events will have a lasting impact on the MCU. With its themes of accountability and broken friendships, the film explores darker territory than usual. But what’s really amazing is that it also manages to be one of the most entertaining entries in the entire series. It’s simultaneously the most serious and the most hilarious Marvel movie yet.

Chalk the film's successful blending of tones up to the return of the creative team behind 2014’s outstanding Captain America: The Winter Soldier. Directors Joe and Anthony Russo, with the aid of screenwriters Christopher Markus and Stephen McFeely, have done an outstanding job juggling a number of characters and themes while keeping the proceedings coherent. That they’re able to give all these heroes a moment to shine, strong motivations and even individual arcs without the entire film buckling under the weight is nothing short of extraordinary.

Where Civil War’s story comes up short is in its general lack of focus, an area in which The Winter Soldier excelled. Maybe this is to be expected with so many characters and so many plotlines to focus on, but the Captain America/Bucky storyline, which drives most of the narrative, tends to get lost in the mayhem. The film's 2nd act in particular seems to lose track of this storyline for quite some time.

But what Civil War lacks in overall cohesion, it more than makes up for with majestic spectacle and compelling character development. Performances are stronger than they’ve ever been. Chris Evans does an excellent job portraying Cap’s moral dilemma and struggle. Robert Downey Jr. is just as wonderful as he’s always been, but this time around his performance carries a depth and thoughtfulness we haven’t yet seen from the character.

I also loved the attention devoted to the supporting characters. Bucky and Sam, a.k.a. The Falcon, (Anthony Mackie) have a particularly great love/hate relationship. Some of the film’s biggest laughs come from their standoff-ish interactions. Vision and Scarlet Witch (Paul Bettany and Elizabeth Olsen respectively) have some really great moments together, which showcase not only the growth of their relationship, but their individual characters as well. It’s a major improvement over their shoe-horned inclusion in Age of Ultron.

The entire show is very nearly stolen by Paul Rudd’s Ant-Man, making his first appearance in a 'team-up' flick. He's laugh-out-loud funny in practically every scene. We also get the introduction of two new major players to the MCU, and while Marvel might be asking you to side with #TeamCap or #TeamIronMan, one thing’s for sure: by Civil War’s conclusion you will undoubtedly be #TeamSpidey and/or #TeamPanther.

With minimal screentime, we may have the best live-action Spider-Man ever in Tom Holland. He not only perfectly encapsulates the awkwardly endearing nature of Peter Parker, he nails the non-stop quip-happy exuberance of everyone's favorite wall-crawler. As a long-time Spidey fan, I couldn’t be happier and I can’t wait for him to get the opportunity to fully strut his stuff in next summer’s Spider-Man: Homecoming.

I know less about Black Panther’s comic book roots, but I’m already pumped for his solo movie, which is being directed by Fruitvale Station and Creed helmer Ryan Coogler. The character is such a badass and Chadwick Boseman does an outstanding job in the part.

I adored every minute of Captain America: Civil War. While I still favor Joss Whedon’s first Avengers film and The Winter Soldier, Civil War is easily the action film to beat this year. Marvel has raised the bar for big-budget entertainment once again, and while people may lament the supposed ‘death of cinema’ at the hands of the superhero genre, as long as Marvel keeps putting out films that are this thoughtful and this much fun, I am more than happy to stay on this bandwagon.

FINAL RATING: 4.5/5