I’ll admit,
Finding Dory wasn’t on my radar in the slightest. While I enjoyed
Finding Nemo, I was never as taken with it as I was with, say,
Toy Story or
Wall-E. And while Pixar has established itself as one of the most reliable brands in storytelling, even the studio’s staunchest supporters will admit their track record as of late has been sporadic, to say the least (
Inside Out notwithstanding). And, let’s face it, is there really a strong need for a
Finding Nemo sequel aside from Disney wanting to make more money?
Thankfully,
Finding Dory eschews any expectations of mediocrity. It’s consistently delightful, delivering all the charm and humor we’ve come to expect from the studio. Andrew Stanton (writer/director of
A Bug's Life, Finding Nemo and
Wall-E) has crafted a thoughtful examination on the nature of family and how one can achieve great things, despite whatever physical or mental ailments might stand in the way. It might not be on the level of
Finding Nemo, but it’s still a worthy follow up, fitting comfortably in Pixar’s ‘good, not great’ category, which is a pretty solid place to be, all things considered. Fans of the first film should walk away feeling wholly satisfied and then some.
As you no doubt have guessed, this time around the focus is on everyone’s favorite blue tang Dory. Things kick off with a heartbreaking prologue, which right off the bat put to rest any fears I had of this being a shallow sequel. (An ocean reference! Let me see if I can keep this up) In it, we’re introduced to baby Dory and see what her life was like before she ended up on her own and grew up to be Ellen DeGeneres. As a child, Dory’s parents did everything in their power to help her cope with her memory condition. They played games with her and invented fun songs to help her remember important rules about the ocean. For reasons revealed later on, Dory became separated from her family, and though she spent her formative years searching for them, eventually she forgot all about them. Her attempts were fully abandoned when she bumped into Marlin and decided to aid him in his search for his son Nemo. It’s a masterfully crafted introduction, exhibiting all the best storytelling traits that have become synonymous with the Pixar brand.
A year after Nemo was found (spoiler alert), we find Dory living ‘happily ever after’ with both him and Marlin. All is well until her memory is jogged and she starts having flashbacks to her time as a child. She remembers her a family and realizes that, more than anything, she wants to be reunited with them. With the aid of Marlin and Nemo, Dory embarks on an epic quest across the ocean to be reunited with her parents, facing many a trial and tribulation and making plenty of new friends along the way.
If this sounds familiar, that’s probably because it is.
Finding Dory follows a similar story structure to that of its predecessor, and never shakes the feeling of treading familiar waters. (Boo-yah! Another one. I am the master) Additionally, its 2nd act is made up of a lot of repetitive incidental happenings – Dory encounters an obstacle, meets a new friend, finds a solution, and the cycle starts all over again. It’s still plenty of fun, but it’s unquestionably the least involving section of the film, and the story never finds a way to satisfactorily involve Marlin and Nemo or make their subplot in which they try to keep up with Dory more engaging.
But, impressively, the screenplay, co-written by Stanton and Victoria Strouse, does a great job fitting in references to
Finding Nemo in an organic way without feeling too bogged down by them. Additionally, a colorful cast of new characters help keep things from getting too stale during this section. There’s a near-sighted whale shark (Kaitlin Olson), a lovable, grumpy octopus (played by the lovable, grumpy Ed O’Neill), and, perhaps my personal favorites, two sea lions who laze about on their rock all day (Idris Elba and Dominic West).
And, of course, we have returning cast members Ellen DeGeneres and Albert Brooks as Dory and Marlin respectively. Brooks still provides Marlin with that charming, panic-first mentality; the character is relatively unchanged from the previous film. It’s DeGeneres who really gets a chance to shine here, as Dory takes the leap from supporting character to fully-formed lead. DeGeneres, who is always a delight, takes full advantage of the opportunity provided here. She instills Dory with all the charm we’ve come to expect, but now there's a level of emotional resonance which makes it far easier to empathize with the character. It's some of DeGeneres's best work.
At the end of the day, it’s the underlying themes that make Finding Dory truly effective. Stanton keeps the heart of the tail (like a fish tail! Sorry, that one was a bit of a stretch…) firmly at the forefront, while still managing to keep things light and fun. Despite its meandering middle section, Finding Dory is a worthy entry in the Pixar catalogue and a fine sequel to a classic animated film. If you have any level of affection for the original, you won’t want to miss this.
FINAL RATING: 4/5
